Does anyone know how to have fluid pulsing effects in a video, (when the video seems to pulse in and out on beats.) Also does anyone know how to have fluid camera movements, like how the camera maybe pans across then down to the floor like when the move ends. How do you get such fluid camera movements that don't seem choppy or edited. Does anyone know how slykuiper did the body effects in -> http://www.youtube.com/watch?v=4x58KnmNCps

Like how do you do pulsing like in this video

http://www.youtube.com/watch?v=RS8aT...ature=youtu.be

A great example of Pulsing and awesome Camera movements.

http://www.youtube.com/watch?v=0_MhROo1VPs

How is this done so fluidly? Do you sit there and rotate around the fighters while going in and out?

And how do you change backgrounds fluidly like in

http://www.youtube.com/watch?v=IZTTFhpbwRE

I know what you're talking about. It's part of After Effects. You have to make either something like an image react to the audio or the audio spectrum/wave effect. That can be done by pressing Ctrl+Y and creating a blank composition and adding the effect and then adjusting the appropriate settings. I would start there.

You definitely don't use your fingers to rotate. I'm pretty sure War_Hero made a camera script that allows for the tracking and smooth movement when recording. Check the lua section of the forum.

Pretty much all effects are done in AE, not manually. You may find what you're looking for in the tutorials section of http://chchcheckit.com/. Eli and Brandon make great AE tutorials for YouTube.

the colored glow? I used Find Edges.


Keyframing the scale parameter in your NLE. It's not done with freecam.

Easy-Easing the keyframes. In short, using bezier points and changing the direction of them in your graph editor.



Recording the same replay again with multiple shaders. Put one video layer on top of the other, line them up perfectly, and keyframe the opacity parameter.

Basically what you do is you freecam a replay using the keyframing function toribash has, and then you record 2 clips; one using the base shader and then the shader you want to change it to, how he did it so fluidly was he probably just faded the opacity on the first clip so the second one came in nice and softly, you'd have to ask sly though.


(also please state what program you're seeking advice for, it'd be a lot easier to give tips)

Sorta as the guy above said.

You record the replay twice, one with each shader. Then just crossfade them. The longer the crossfade the smoother it looks.

To avoid "whiteout" between them (the middle of a direct crossfade will be a solid colour) place the second video on a seperate track, and fade the first one.

TBH the only difficult part is syncing the two clips because even being 1 frame off will cause ghosting.